Slasher Movies is a horror movie sub-genre involving violent psychopaths who stalk and kill a group of people, usually using a bladed tool. Although the term "slasher" is often used informally as a general term for any horror film involving murder, the film analyst cites a set of established characteristics that separate these films from other sub-genres, such as splash films and psychological thrillers.
Influenced by Italian movies and thrillers such as giallo as Peeping Tom (1960) and Psycho (1960), this genre peaked between 1978 - in an era called the "Golden Age" slasher films. Famous slasher films include the Texas Chain Massacre (1974), Halloween (1978), Friday the 13th < on Elm Street (1984), Child's Play (1988), Scream (1996) and I Know What You Did Last Summer < (1997). Many slasher films released several decades ago continued to attract the following cult.
Video Slasher film
Definisi
Slasher films adhere to specific formulas: past misconduct causing heavy trauma reinforced by warnings or birthdays that reactivate or re-inspire the killer. Built around sequences and murders, the films portray the audience's feelings about catharsis, recreation, and displacement, which are associated with sexual pleasure.
Public image
The last girl's trophy is discussed in the film study as a young woman (sometimes a young man) left alone to face the killer's progress at the end of the movie. Laurie Strode (Jamie Lee Curtis), the heroine of Halloween , is an example of a typical final girl. The late girls often, like Laurie Strode, a virgin among sexually active teens.
Some slasher movie criminals grow to take on anti-heroic characteristics, with the franchise following the continued efforts of criminals, rather than murderous victims (ie Michael Myers, Freddy Krueger, Jason Voorhees, Chucky, and Leatherface). The Scream movie series is a scarcity that follows her hero Sidney Prescott (Neve Campbell) rather than masked masked Ghostface, whose identity is changed from movie-to-film and is revealed only at each end of the entry.
Maps Slasher film
Origins
The attraction of watching people who violate each other dates back thousands of years to Ancient Rome, although fictional accounts are valuable with the 19th century horror drama produced at Grand Guignol. Maurice Tourneur's The Lunatics (1912) used visceral violence to attract the audience of Guignol; films like this ultimately provoked public condemnation in the United States, eventually passing the Hays Code in 1930. The Hays Code is one of the earliest entertainment industry guidelines that limit sexuality and violence that is considered unacceptable.
The crime writer Mary Roberts Rinehart influenced the horror literature with his novel The Circular Staircase (1908), adapted into the silent film The Bat (1926), about guests in a remote mansion. by a killer in a terrible mask. His success led to a series of "dark old house" movies including The Cat and the Canary (1927), based on John Willard's stage play in 1922, and Universal Pictures' The Old Dark House (1932), based on a novel by JB Priestley. In both films, city residents are pitted against strange villagers, a recurring theme in later horror films. Along with the plotline of the "lunatic on top of the wobbly", these films use some influence on the slasher genre, such as the long viewing angle and the catalyst "paternal sins" to encourage the plot mess.
Influence of initial film
George Archainbaud's Thirteen Women (1932) told the story of a student whose former members were attacked by one another by a bitter companion who crossed their yearbook pictures, the tools used in the next films Prom Night (1980) and Graduation Day (1981). Early examples include maniac looking for revenge in The Terror (1928), based on the game by Edgar Wallace.
B-film mogul Val Lewton produced The Leopard Man (1943), about a murderer who framed his crime against the woman on a fleeing leopard. Basil Rathbone's The Scarlet Claw (1944) saw Sherlock Holmes investigate the killing carried out by a five-branch garden weeder that the killer would lift in the air and drop the victim repeatedly, editing techniques that became familiar in the genre. Robert Siodmak's The Spiral Staircase (1946), based on the Ethel White Some Must Watch novel, starred Ethel Barrymore as a sympathetic woman who tried to survive a black-coded killer. Spiral Stairs also features the initial use of jump jumps.
The most influential novel of the British writer Agatha Christie in 1939, the Ten Little Indians (adapted in 1945 as And Then No More ), centered on a group of people with periods then the secret of being killed. -in-one on a desert island. Each murder reflects a poem of the nursery rhyme, combining themes about childhood innocence and vengeance. House of Wax (1953), The Bad Seed (1956), Screaming Mimi (1958), Jack the Ripper (1959), and Cover Girl Killer (1959) all incorporate the Christian literary theme.
1960s Horror-Thrillers
Alfred Hitchcock's Psycho (1960) uses visuals that are unacceptable to film studios, including scenes of violence, sexuality, and even flushed toilet shots. In the same year Michael Powell released Peeping Tom, showing the killer's perspective as he killed women to photograph their dying expression.
Psycho was nominated for four Academy Awards, including Best Supporting Actress for Janet Leigh and Anthony Perkins garnering universal recognition for her role as Norman Bates. This notice attracts bankable film stars to a horror movie. Joan Crawford starred in William Castle's Strait-Jacket (1964) and at Jim O'Connolly's Berserk! (1967), while Albert Finney starred in MGM Night of Fall (1964) (a remake of the 1937 British film) and Peter Cushing starring in Corruption (1968).
Hammer Studios, a London-based company, follows success with Psycho with Taste of Fear (1961), Maniac (1963) (1965), Fanatic (1963), Nightmare (1964), < (1965), and Crescendo (1970). Amicus's Hammer rival has Robert Bloch, author of 1959 Psycho , writing a script for Psychopaths (1968).
The debut of Francis Ford Coppola, Dementia 13 (1963), takes place in an Irish castle where relatives gather to commemorate the death of the family but are killed one at a time, profoundly affecting the Italian gala 1970s/an. William Castle's Homicidal (1961) features a gore in the murder scene, something both Psycho and Peeping has been edited. Richard Hillard's Splatter, Krimi & amp; Movie Giallo
Sub-genres affected by slasher films include splash films, Krimi movies, and movies giallo .
The Film Splatter focuses on haphazard gags. Herschell Gordon Lewis Blood Feast (1963) is a hit on drive-in theaters and is often considered the first splash film. Lewis was followed by a bloody film Two-Thousand Maniacs! (1964), Color Me Blood Red (1965), The Gruesome Twosome (1967) and The Wizard of Gore < ). This strange style was translated to Andy Milligan
Post-World War II Germany adapted the crime novels of British writer Edgar Wallace into their own Krimi movie sub-genre. The Krimi film was released in the late 1950s and early 1970s and featured villains in bold costumes accompanied by jazz scores from composers such as Martin BÃÆ'¶ttcher and Peter Thomas. The Fellowship of the Frog (1959), of a murderer who terrorized London, succeeded in America, leading to similar adaptations such as The Green Archer (1961) and Dead Eyes London (1961). Rialto Studio produced 32 films Krimi between 1959-1970.
Italian thriller giallo is a crime or murder mystery procedure related to psychological eroticism and horror. Giallo movies show unknown killer kill in grand mode. Unlike most American slasher films, the protagonist gialli is often (but not always) an adult jet-setting of Milan's most stylish fashion sports. These protagonist figures are often outsiders who are reluctantly entered into mystery through special circumstances, such as witnessing a murder or being suspected of committing the crime themselves. Just like Krimi movies, gialli plots tend to be weird and impossible, sometimes begging for supernatural elements. Sergio Martino Movie exploits
The early 1970s witnessed an increase in exploitation films that captivated viewers into grinding houses and drive-ins with sex and violent advertising. Robert Fuest's And Soon Darkness (1970) initiated a wave of 70's exploits by maximizing the small budget and taking place during the day, inadvertently distancing from the Gothic horror of the 1960s. Fright (1971) is based on the urban legend of "babysitters and men upstairs" while Tower of Evil (1972) features careless teenagers killed on a remote island. Pete Walker broke the taboo by advertising a negative review of his movie to attract viewers looking for the depraved, using the "no bad press press" spell with The Flesh and Blood Show 1972, Frightmare (1976), Schizo (1976) and The Comeback (1978). Other filmmakers followed in Walker's footsteps, as a poster called Blood and Lace (1971) as "the craziest PG-rated movie ever made!", While Scream Bloody Murder 1973) calls itself "gore-nography."
In 1974, film exploits fought against political correctness and their popularity faded, and while films such as The Love Butcher (1975) and the Redeemer Son of Satan (1976) were accused of promoting fanaticism , the microcredit independent movie Texas Chain Massacre (1974) became a big hit and the most commercially successful horror film ever since The Exorcist . This story concerns cultural clashes and cruel ideals between counter-culture and conservative traditional values, with Leatherface's antagonist film carrying a saw and wearing the face of the victim whom he and his family eat. The Texas Chain Saw Massacre spawns the tailors and the "real story" misguided ads give way to revisiting the true crime. The Town That Dreaded Sundown (1976), based on the Phantom Killer case, and
Following the holiday-themed exploits film "Home for the Holidays" (1972), "All Through the House" (1972) and Silent Night, Bloody Night (1973), Black Christmas (1974) used horror as a council to debate social topics of his time, including feminism, abortion, and alcoholism. Utilizing the visual and thematic "Black and White" gimmick, Black and White Gammick is the forerunner of John Carpenter's Halloween (1978), when young women are terrorized in a safe environment iconic vacation. Like Halloween , Clark's movie opens with a long perspective, but differs in the care of the killer's identity. Though earning $ 4.053,000 with a budget of $ 620,000, Black Christmas was initially criticized, with Variety complaining that it was a bloody, unreasonable killing-for-kick movie, that exploit unnecessary violence. Though initially a modest box office run, the film has garnered critical reassessment, with film historians noting its importance in the horror movie genre and some even citing it as an original slasher film.
Golden Age (1978-1984)
Jumpstarted by the massive success of John Carpenter's Halloween, the era usually referred to as the Golden Age of slasher films was 1978-1984, with some scholars citing over 100 similar films released over a six-year period. Although most films receive negative reviews, many of the Golden Age slasher films are very profitable and have set the cult following. Many films are reusing Halloween's template of a murderous character stalking teenagers, though they are echoing the gore and nudity of a movie re-trained by Carpenter. Golden Age slasher films exploit the dangers that hide in American institutions such as high schools, colleges, summer camps, and hospitals.
1978
Cashing in on the drive-in success of the Texas Chain Massacre (1974) and The Hills Have Eyes (1977), The Toolbox Murders quickly and cheaply shot but not arousing interest from previous films. Exploitative Killer Delight is a story of a San Francisco serial killer who claims to take inspiration from Ted Bundy and the Zodiac Killer. Leading the release of Halloween is August gialli - collected Eyes of Laura Mars (written by John Carpenter) and babysitter in September in danger "TV Movie Are You at Home Alone? Among them, The Eyes of Laura Mars earned $ 20 million on a $ 7 million budget.
Influenced by the French New Wave Eyes Without a Face (1960), the science fiction film Westworld 1973 and Black Christmas <1979, > Halloween directed, compiled and co-authored by Carpenter, who worked with his current girlfriend and produced Debra Hill partners with a budget of $ 300,000 provided by Syrian-American producer Moustapha Akkad. To minimize costs, the location is reduced and time lasts for short periods. Jamie Lee Curtis, daughter of Janet Leigh, plays the heroine Laurie Strode while veteran actor Donald Pleasance serves as Dr. Sam Loomis, honor of John Gavin's character at Psycho . The opening Halloween tracks a six-year-old point of view when he kills his sister, a scene imitated in many films like Blow Out (1981) and The Funhouse (1981). Carpenter refused to write sexually active teenagers to become victims for the victims of the virgin "last girl," although the next filmmaker copied what appeared to be a "sex-equals-death" mantra.
When shown the first piece of Halloween without a music score, all major American studios refused to distribute it, an executive even said it was not scary. Carpenter added his own music, and the film was distributed locally in four Kansas City theaters via Kompas International Pictures from Akkad in October 1978. Word-of-mouth made this movie a sleeping hit chosen for screening at the Chicago Film Festival November 1978, the country's main critics admit it. Halloween grew into a huge box office success, generating over $ 70 million worldwide and selling over 20 million tickets in North America, becoming the most profitable independent film to be surpassed by the Teenage Mutant Ninja Turtles i> (1990).
1979
Although the Telekinesis slasher Tourist Trap did not initially succeed, it has been reassessed by fans. The most successful slaughter of 1979 was Fred Walton When a Stranger Calls , which sold 8.5 million tickets in North America. His success has largely been credited to his opening scene, where the nanny (Carol Kane) is ridiculed by a caller who repeatedly asks, "Have you checked the children?" Less successful is Burlesque slasher Ray Dennis Steckler The Hollywood Strangler Meets Skid Row Slasher and Abel Ferrara The Driller Killer , both of which display horrific on-screen violence against homeless people.
1980
The election of Ronald Reagan as the 40th President of the United States drew in a new era of conservatism that led to increasing violence in the film. The slasher film, at the peak of its commercial power, is also at the center of the political and cultural vortex. Sean S. Cunningham's bed hit Friday the 13th is the most commercially successful slasher film of the year, selling nearly 15 million tickets in North America. Despite financial success, Paramount Pictures' distributor was criticized for "lowering" herself for releasing violent exploitation films, with the famous Gene Siskel and Roger Ebert hating the film; Siskel, in his review of the Chicago Tribune, revealed the identity and fate of the film killer in an effort to injure the box office and give Paramount Pictures chairman address to complain audience. The MPAA is criticized for allowing Friday the 13th a rating of R, but its violence will inspire gorier films to follow, as it sets a new bar for acceptable screen level of violence. Criticisms that begin with Friday the 13th will lead to an eventual decline of the genre in subsequent years.
The small budget thriller of Silent Scream and Prom Night is a box office hit with $ 7.9 and $ 14.8 million, respectively. Jamie Lee Curtis starred in the independent movie Prom Night, as well as Terror Train movie studios and The Fog for his "scream queen". MGM is Halloween -clone She Knows You Alone sells nearly 2 million tickets, although Paramount Pictures John Huston-directed Phobia only sells approximate 22,000 tickets. Two high-profile slasher-thrillers were met with protests; William Friedkin's Cruising and Gordon Willis' Windows , both equate homosexuality with psychosis; The cruise ships invited protests from gay rights groups, and although that was before the AIDS crisis, gay community film depictions triggered reactions after the virus became an epidemic.
Low Budget Exploitative Movies New Year's Crime , Do not Go Home and Do not Answer Phones! are called to misogyny who live exclusively for women's suffering. Renowned film maker Brian De Palma's Psycho -Homage
The influence of Alfred Hitchcock Psycho was felt two decades later at Funeral Home and The Unseen . Successful Ridley Scott Alien (1979) gave birth to his own sci-fi-horror sub-genre that included Slasher films Scared to Death and Without Warning >. The $ 86.4 million box office success of The Amityville Horror (1979) spurred interest in the supernatural, from The Boogeyman to my Bigfoot slasher Night of the Demon. The horrific Italian horror movie Joe D'Amato Anthropophagus and the Australian sword Nightmare shows that the genre is spreading internationally.
1981
The Slasher film reached its saturation point in 1981, as the heavily promoted films like My Bloody Valentine and The Burning were box office failures. After the success of Friday the 13th , Paramount Pictures took My Bloody Valentine in hopes of achieving similar success. The film became a subject of intense scrutiny in the wake of John Lennon's murder, and was released very edited; less attractive gore, My Bloody Valentine barely sold 2 million tickets in North America, less than 15 million sold on Friday the 13th of the previous year. Thematically similar to My Bloody Valentine , The Prowler is hoping to captivate the audience with blood blood effects by Friday the 13th 's Tom Savini but the big MPAA edits contributed to his failure to find a national distributor. Suffering a similar sensor is The Burning , which also uses Savini's special effects, although it marks the film's debut from Brad Gray, Holly Hunter, Jason Alexander, Fisher Stevens, Bob Weinstein and Harvey Weinstein ( The Burning is a film named in Harvey Weinstein's sexual harassment allegations).
The benefits of Halloween and Friday the 13th attracted studio interest, for its varied success. Warner Bros.'s Eyes of a Stranger ($ 1.1 million) and Night School ($ 1.2 million) , Paramount Pictures' The Fan ($ 3 million), Universal Pictures' The Funhouse ($ 8 million), and Columbia Pictures Happy Birthday to Me ($ 10 million). CBS TV Movies, Dark Night of the Scarecrow brings the genre to a small screen. The two sequels have larger body counts and more blood drenched than their predecessors, but not a higher box office intake; Friday the 13th Part 2 sold 7.8 million tickets and Halloween II sold 9.2 million; both sequels sell about half of their original movie tickets, although they are still very popular ( Halloween II is the second best-selling horror film of this year behind the American Werewolf in London.
The independent company is rummaging through the slasher film Final Exam , Bloody Birthday , Hell Night , Do not Go in Forest... Alone! , Wes Craven Deadly Blessing and Graduation Day , the latter earned $ 25 million at the North American box office for a $ 200,000 budget. Fantasy and sci-fi genres continue to blend in with slasher movies in Strange Behavior, GhostKeeper and EvilSpeak. International markets find Italy Absurd and Madhouse and German Bloody Moon .
1982
Direct production to video cuts costs to maximize profits. Independent horror film Madman opened in the top 10 of New York City, according to Variety, but soon fell out of the cinema for a much healthier life at home video. The Dorm That Dripped Blood and Honeymoon Horror , each made between $ 50-90,000, became successful in the early days of VHS. Due to these changes, independent production began to have difficulty finding theatrical distribution. Girls Nite Out had a very limited release in 1982 but re-released in 1984 in more cinemas until finally finding a home in VHS. Paul Lynch's
Supernatural slasher movies continue to build popularity with The Slayer The Incubus , Blood Song , Do not Go Sleep i> and Superstitious (supernatural-themed Halloween III: The Witch's Season , though part of the Halloween franchise, does not adhere to the slasher film formula). Alone in the Dark is the first feature film New Line Cinema, released to a small amount of revenue and initially rejected by critics, even though the film has received a critical reassessment. Director Amy Holden Jones and writer Rita Mae Brown in-gender swap to display exploitative violence against men in Slumber's Slumber Show Mass, while Visiting Clocks pitted liberal feminism against the right-wing zealotry macho with exploitative results.
Friday the 13th III , the first slasher trilogy, was a huge success, selling 12 million tickets and dethroning E.T.: The Extra Terrestrial from the top of the box office. The iconic hockey mask of this film has evolved into a pop culture iconography. Universal Pictures had a small release for Death Valley, while Columbia Pictures found a simple success with Silent Rage. Independent Distributor, Embassy Pictures released The Seduction of $ 11 million to the shocking, erotic erotic thriller movie that existed before the Fatal Attraction Blockbusters (1987) and the Basic Instinct (1992) for several years.
Internationally, Australia released Next of Kin while Puerto Rico Pieces was filmed in Boston and Madrid by an Italian-American producer with a Spanish director. Italian gialli saw the effect of the slasher films in their release for Sergio Martino The Scorpion with Two Tails, Lucio Fulci's The New York Ripper and Dario Argento > Tenebrae . 1983
Traditional slasher films see less frequent output. The House on Sorority Row follows the same general path as Prom Night (1980) with teenagers guilty of stalking and being punished for a terrible secret. The Final Terror borrows the visual and thematic elements of Just Before Dawn (1981), such as Sweet Sixteen borrows from Happy Birthday to- Ku (1981). 1983 The most successful slasher is Psycho II , which brings back original players, Anthony Perkins and Vera Miles. The film's victims were renewed for heavy teen smokers, and with 11 million tickets sales Psycho II was hit. 10 to Midnight, inspired by real life crime Richard Speck, promotes a star of justice character to all of Charles Bronson's characters on his horror theme. Robert Hiltzik's Sleepaway Camp is a home video hit, unique to the victims of puberty and the theme of pedophilia and transvestism. Sleepaway Camp shows a homosexual scene, which is taboo at the time.
In Canada, the detective story of Curtains has a short theater life before finding a new life in VHS, while criticism of American Nightmare about prostitutes, drug addicts, and pornographic addicts hurts video rentals. Sledgehammer is a shot-on-video for just $ 40,000, with a gender reversal climax showing Ted Prior's Playgirl as the "last person." Other home video slashers of the year include Blood Beat, Double Exposure and Scalps, the latter claiming to be one of the most censored movies in history. The release began to keep away from the genre. The poster for the morgue has a hand that explodes from the grave, although the undead has nothing to do with the movie. Distributors are aware of the faded box office profits, and they are trying to trick the audience into thinking of long term releases like different Mortuary.
1984
The public has largely lost interest in the theaters released slashers, drawing close to the Golden Age. The production rate dropped dramatically and the big studios all abandoned the genre which, just a few years earlier, was very profitable. Many 1984 slasher films with short drama found different levels of success on home videos, such as Splatter University , Blade Satan , Blood Theater , Rocktober Blood and Fatal Games . Movies like The Prey and Evil Judgment were filmed many years ago and were finally given a small theatrical release. Silent Madness uses 3D to ride the success of Friday the 13th Part III (1982), although the effect is not translated into VHS format.
Friday the 13th: The Final Round carries the story of Jason Voorhees almost, with his demise of a major marketing tool. That worked, with Last Chapter selling 10 million tickets in North America, hinting the franchise will continue even if Jason's death marks a shift in the genre. This shift was emphasized by the controversy of Silent Night, Deadly Night (1984): The protestors guided the theater to play a movie with a placard reading, "Deck the hall with holly - not the body!" Although other Christmas-themed horror films, including the same year Do not Open until Christmas , promotional material for Silent Night, Deadly Night featuring the killer Santa with the slogan: "He knows when you naughty! "Released in November 1984 by TriStar Pictures, singers singing constantly forcing a Bronx cinema to pull Silent Night, Deadly Night a week into the journey. Immediately widespread anger led to the removal of the film, with only 741,500 tickets sold.
Because interest in the Golden Age hero diminishes, Wes Craven's A Nightmare on Elm Street revitalizes the genre by mixing fantasies and horrors in a cost-effective way. Craven once played with previous slasher movies in Deadly Blessing (1981), though he was frustrated by the genre he helped create with The Last House on the Left (1972 ) and The Hills Have Eyes (1977) did not benefit him financially. Developing A Nightmare on Elm Street since 1981, Craven admits time is running out due to declining revenue from theatrical slasher film releases. The Nightmare on Elm Street and especially the villain Freddy Krueger (Robert Englund) became a cultural phenomenon. With a budget of just $ 1.8 million, the film sold over 7 million tickets in North America and launched one of the most successful film franchises in history. The Nightmare on Elm Street gave New Line Cinema the success it needed to become a big Hollywood company; to this day, the New Path is referred to as "The House That Freddy Built." The last slasher movie released during the Golden Age, The Initiation, is greatly overshadowed by A Nightmare on Elm Street , (though both films display the dream as a plot point and burned horribly " bad"). The success of A Nightmare on Elm Street was greeted in a new wave of horror movies that depended on special effects, almost completely silencing the smaller, lower-budget Golden Age features. Silver Age (1985-1995) >
Though A Nightmare on Elm Street was a success, fatigue hit the slasher genre and its popularity has dropped substantially. The home video revolution, driven by the popularity of VHS, provides a new channel for low-budget movie making. Without big studio support for theatrical release, the slasher movie became the second after pornography in the home video market. Decreasing the budget to accommodate a more economical approach is usually met with a decrease in quality. Holdovers were filmed during the Golden Age such as Too Scared to Scream (1985), The Mutilator (1985), Blood Rage (1987) Killer Party (1986) and Mountaintop Motel Massacre (1986) found the video distribution. Reflecting the punk rock movement, novice filmmakers prove anyone can make movies on home videos, resulting in shot-on-video slashers Blood Cult (1985), The Ripper (1985 )), Spine (1986), Truth or Dare? (1986), Killer Workout (1987), and Death Spa i> (1989). The lesser known horizon of Sleepaway Camp, Slumber's Slumber Massacre and Silent Night, Deadly Night becomes a franchise in home video. The Hills Have Eyes Part 2 (1985) and
Paramount Pictures released the parody of April Fool's Day (1986) in hopes of starting a sister franchise for Friday the 13th property, although a simple box office movie never led to the series. Three other parodies, Evil Laugh (1986), The Texas Chainsaw Massacre 2 (1986) and Friday the 13th Part VI: Jason Lives (1986 )), is a box office disappointment; Texas Chainsaw Massacre 2 sold just 2 million tickets while Jason Lives sold 5.2 million, both significantly down from its predecessor. The adult action thriller was popularized in 1980 with consistent hits from First Blood (1982), Beverly Hills Cop (1984), The Terminator 1984)), Lethal Weapon (1987), RoboCop (1987), Predator (1987) and Die Hard (1988)); Sylvester Stallone's cop-thriller
The Nightmare on Elm Street franchise dominated the late 1980s horror waves, with A Nightmare on Elm Street 3: The Dream Warriors (1987) sold 11.5 million tickets in North America and A Nightmare on Elm Street 4: The Dream Master (1988) followed 12 million other tickets. In comparison, Friday the 13th Part VII: The New Blood (1988) and Halloween 4: The Return of Michael Myers (1988) sold about 4.5 million tickets each- less than half of Elm Street . The drive driven by the personality of Freddy Krueger is not lost on the filmmakers, as characters like Chucky and Candyman are given enough dialogue and are placed in an urban setting that has largely been ignored by the Golden Age. Chucky's
Internationally, slasher films remain profitable. Mexico released Zombie Apocalypse (1985), Do not Panic (1988), Grave Robbers (1990) and Hell's Trap (1990). Europe saw the release of the Swedish Blood Tracks (1985), The United Kingdom Lucifer (1987), Spanish Anguish (1987) and Italian StageFright (1987) and BodyCount (1987). In the Pacific, Australia released Symphony of Evil (1987), Houseboat Horror (1989), and Bloodmoon (1990), while Japan released > Evil Dead Trap (1988).
In 1989, the big franchise had faded from the public interest, resulting in a box office failure from Jason Takes Manhattan. (1989), A Nightmare on Elm Street 5: The Dream Child (1989) and Halloween 5: The Revenge of Michael Myers (1989). The Dream Child tickets were a sharp drop, while Jason Takes Manhattan and The Revenge of Michael Myers each sold only about 3 million tickets. Due to declining ticket sales, rights to the franchises of Friday the 13th and Halloween were sold to New Line Cinema and Mirimax Films, respectively. Now has the characters Jason Voorhees and Freddy Krueger, New Line will see a crossover-event franchise movie. Freddy's Dead: The Final Nightmare <1991> and Jason Goes to Hell: The Final Friday (1993) started this crossover franchise, but the profit loss of both films stopped the project for a decades. Halloween: The Michael Myers Curse (1995) was released under the flag of Mirimax Movie Dimension for negative fan reaction and a weak box office.
bronze_Age_.281996.E2.80.932003.29 "> Bronze Age (1996-2003)
Wes Craven's New Nightmare (1994) uses the characters from the original film Elm Street by referencing themselves and ironically, as actors play their true personas version targeted by Freddy. Satan inspired Krueger. New Nightmares sold a few 2.3 million North American box office tickets, joining the growing line of box office disappointment when viewers searched for psychological thrillers such as The Silence of the Lambs (1991 ), Basic Instinct (1992) and Se7en (1995). The shocking revival of slasher movies came in the form of Scream (1996), a box office smash and redefined the rules of the genre. Directed by Craven and written by Kevin Williamson, Scream juggle postmodern humor with deep horror. The film plays in nostalgia for the Golden Era, but appeals to younger audiences with contemporary young actors and popular music. Williamson, Halloween fanatical fan (1978), Prom Night (1980), and Friday the 13th Part VI: Jason Lives (1986), wrote characters who are experienced in horror films and know all the cliches that the audience is aware of. The film sold over 22.5 million tickets in North America to become the best-selling slasher movie of all time, the first slasher film to cross $ 100 million at the domestic box office, and the most successful horror movie ever since The Silence of the Lambs (1991). The marketing for Scream avoids the slasher sub-genre as it passes over it as a "new thriller" featuring its star celebrities, promoting the appearance of popular stars Drew Barrymore, Courteney Cox and Neve Campbell for their violence.
Williamson's Following, I Know What You Do Last Summer (1997), very inspired by Prom Night and Home in Sorority Row (1983 ). Released less than a year after Scream became a successful "evidence critic", the film sold nearly 16 million tickets at the North American box office. Two months later Dimension Films released Scream 2 (1997) to the highest-grossing opening weekend of any R-rated movie at the time; the sequel sold 22 million tickets and was a critical hit. Noting from the success of the Scream marketing, the promotional materials for I Know What You Do Last Summer and Scream 2 are heavily dependent on the ability to recognize members of Rebecca Gayheart, Sarah Michelle Gellar, Jennifer Love Hewitt, Joshua Jackson, Laurie Metcalf, Jerry O'Connell, Ryan Phillippe, Jada Pinkett, Freddie Prinze Jr. and Liev Schreiber.
Scream and I Know What You Are Doing Last Summer is popular internationally. In Asia, Hong Kong released The Deadly Camp (1999) and South Korea released Bloody Beach (2000), The Record (2001), and Nightmare (2000). Postmodern Australia Cut (2000) plays the American actress, Molly Ringwald as her hero. England released Lighthouse (1999) and the Netherlands has two teenage hockers, School Out (1999) and The Pool (2001). Bollywood produces the first musical-slasher hybrid with Kucch To Hai (2003), and is more straightforward Dhund: The Fog (2003).
Scream 2 marks a high point for interest in a 1990s slasher movie. Urban Legend (1998) is a simple hit, selling 8 million tickets, even though slasher sales have started to fall. The sequel Halloween H20: 20 Years Later (1998), Bride of Chucky (1998) and I Still Know What You Did Last Summer ( 1998) is every box office success, again the marketing of their players, including Adam Arkin, Jack Black, LL Cool J, Jamie Lee Curtis, Joseph Gordon-Levitt, Josh Hartnett, Katherine Heighl, Brandy Norwood, Jodi Lynn O 'Keefe, Mekhi Pfeiffer, John Ritter, Jennifer Tilly, and Michelle Williams. Low-budget slasher films The Clown at Midnight (1998) and Cherry Falls (2000) have difficulty competing with costly horror films capable of paying reliable actors.
Scream 3 (2000), the first entry in the Scream series not written by Kevin Williamson, was another huge success with 16.5 million tickets sold, though word-of-mouth bad prevent it from reaching the height of its predecessor. Urban Legends: Final Cut (2000) sold a few 4 million tickets, less than half of what its predecessor had sold just two years earlier; both The Last Summer and Urban Legend franchises are downgraded to direct-to-video markets. The genre continued to fall apart with the box office bombs Valentine (2001) and Jason X (2002), and critically slandered Halloween: The Resurrection (2002) , a sequel that sold less than half of its predecessor tickets. New Line Cinema is highly anticipated Freddy vs. Jason (2003), in development since 1986, notes from Scream and mixes nostalgia with known actors; they sold 14 million big tickets at the domestic box office, acting as symbolic love letters for slasher films from the days of Gold, Silver and Bronze.
Modern Times (2004-2013)
Films like Final Destination (2000) and Jeepers Creepers (2001) store the value of slasher films in mainstream movies, but they deviate from standard formulas defined by films like > Halloween (1978), A Nightmare on Elm Street (1984) and Scream (1996). Although genres are usually marketed to heterosexual men about female nudity promises, LGBTQ's fan base may be the largest; the filmmakers behind Make a Wish (2002) and HellBent (2004) diversified their stories to attract their gay and lesbian audiences. African American filmmakers with most black players too stabbing the genre at Killjoy (2000), Holla If I Killed You (2003), Holla (2006), and Someone Helped Me (2007).
With 2.5 million tickets sold on a low budget, Wrong Turn (2003) launched a direct sequel franchise to the video. Filmmakers around the world are testing the level of on-screen violence that will be accepted by viewers. Musician-filmmaker Rob Zombie seeks to bring the horror genre of pop culture and returns to its exploitative roots in House of 1000 Corpses (2003) and The Devil's Rejects (2005)). The Violence of New French Extremities is very influential in the High Tension (2003), They (2006), In (2007), Frontier ( s)) (2007) and Martyrs (2008) became a worldwide hit. Other European slasher films at that time included Austria Dead in 3 Days (2006), Norway Cold Prey (2006) and its sequel in 2008, as well as a number of British thrillers: < i> Long Time Dead (2002), Creep (2004), The Descent (2005), Severance (2006)) , Wilderness (2008), The Children (2008), Eden Lake (2008) and Tortured (2009) ). In Asia, Taiwan released Invites Only (2009), Fear (2005), and Slice (2009), while South Korea released Bloody Reunion (2006),
The North American low-budget slasher film received a limited theater release before the DVD release (which has replaced the outdated VHS format). Behind the Mask: The Rise of Leslie Vernon (2006), All the Boys Love Mandy Lane (2006), Dark Ride (2006), Hatchet (2006), Simon Says (2006), The Tripper (2006), See No Evil (2006)) , and Gutterballs (2008) each referred to slasher films beginning in the 80s, although they were ruled out for a limited distribution in a crowded market by spark films behind Saw (2004) and its sequel. Wes Craven, one of the biggest names in horror for more than three decades, directed the box office disappointment of My Soul to Take (2011) and Scream 4 (2011), which only sold 1.8 million and 4.7 million tickets, respectively. The Strangers (2008) and You're Next (2011) were applauded for their expertise and post-9/11 twist on the home invasion genre, though none of the films generated a lot of interest outside horror fans. 80s Ceremony Tucker & amp; Dale vs. Evil (2010) and The Final Girls (2015) added thematic and emotional subtext (ie stereotypes and grief), bringing praise for effectively mixing horror with heart. Meta-horror sleeper-hit The Cabin in the Woods (2012) is a financial and critical success that rocks prejudices and diverts them to unexpected ways that mark the turning point for the entire horror genre, not just slasher films: the audience wants a surprising and original thriller that is not a strict setback. This small but real change will affect the genre in the coming decade.
Remake & amp; Reboot
As a 1990s Scream - a slasher-inspired movie with a shrill popularity, the remake of The Texas Chainsaw Massacre (2003) became sleepless by playing in the public intimacy of the original 1974 but promising the sensation and renewed tension. Like Gus Van Sant Psycho (1998), The Chainsaw Massacre of Texas dilutes the controversial aspect of the original film for maximum commercial attractiveness. The Texas Chainsaw Massacre remake sold over 13.5 million tickets in North America and was followed by The Texas Chainsaw Massacre: The Beginning (2006) , which sold a respectable 6 million tickets, though it was still impressed with the diminishing returns.
Driving the success of the 21st century Chainsaw Massacre remake is House of Wax (2005), Black Christmas (2006), < i> April Fool's Day (2008), Train (2008). The remake of The Fog (2005), When the Call of Foreign People (2006) and Prom Night (2008) The biggest teen audience is, though only Prom Night sells more tickets than their real colleagues. Rob Zombie Halloween (2007) took the simplicity of the original 1978 film but added an extreme vision that, according to critics, replaced everything that made the first successful film. Apart from these criticisms, Zombie Halloween sold nearly 8.5 million tickets, but the negative reception injured the cruel sequel Halloween II (2009), which could not sell 4.5 million tickets just two years after its predecessor. The extreme violence in Halloween or the The Texas Chainsaw Massacre remake reached its peak with The Hills Have Eyes (2006) i> The Hills Have Eyes 2 (2007).
The remake Era culminated in 2009 under the release of My Bloody Valentine , Friday the 13th , The Last House on the Left , Sorority Row , The Stepfather and Halloween II ; of them, Friday the 13th is the most successful selling of 8.7 million tickets and the most successful Sorority Row with less than 1.6 million tickets sold. The following year of A Nightmare on Elm Street (2010), like the remake of Friday the 13th, had a great opening weekend but quickly fell from the box office chart afterwards. Remake instantly to-video Mother's Day (2010), Silent Night (2012) and Silent Night, Bloody Night: The Homecoming (2013) with little acceptance or praise; Chucky Curse (2013), a sequel (with reboot elements) of the Play Kids franchise and the first entry not released in theaters, was well received and given its own sequel in 2017. Texas Chainsaw 3D playback (2013) acted as a sequel to the original 1974 movie, but an uninspired box office advantage caused its Leatherface prequel (2017) for a live-to-download release (2017) Leatherface was filmed in 2015 but saved for two years).
Post-Modern Age (2014-Now)
The decrease in theater profit encourages film producers to creatively translate the horror movie genre to television viewers. The success of FX American Horror Story and AMC's The Walking Dead flared green a number of networks to develop a series of horror, some structured or slasher based films. A & amp; E Psycho -adaptation Bates Motel and MTV series Scream offers creative death and cathartic tension, while ABC Family Pretty Little Liars > and The CW's Riverdale take a more controlled approach to the demography of young adult TV. Netflix's Slasher and Fox's Scream Queens is/is meant to be an anthology with new settings and mysteries each season. The TV remake of The Bad Seed will be broadcast on Lifetime in autumn 2018.
The John Carpenter-Influenced It's Follows (2014) is a critical success, blending slasher-style movies with satanic fantasies and metaphorical subthemes. Movies like The Guest (2014) and Do not Breathe (2016) rotate conventional alterations into a surprising new and surprising take on the horror genre. Blumhouse Productions, founded by Jason Blum on his successful Paranormal Activity and Insidious franchise, was released mid-budget slasher movie The Purge (2013), < The Town That Dreaded Sundown (2014), Happy Death Day (2017) and Truth or Dare (2018), though these films deviate from classic slasher movies convention. The Purge: Anarchy (2014) sold 8.9 million tickets in North America (1.2 million more tickets than the first film) while The Purge: Election Year (2016 ) sold 9.3 million more tickets, 400,000 more than Anarchy , continuing a rare slant in earnings. The sequel from Halloween is on Blumhouse's slate for October 2018 release.
See also
- List of horror movie antagonists
- List of horror movies organized in academic institutions
- List of slasher movies
References
The work cited
- DiMarie, Philip C., ed. (2011). Movies in American History: Encyclopedia . 1 . ABC-CLIO. ISBNÃ, 978-1-598-84296-8 Ã, CS1 Maint: Additional text: author list (link)
- Kerswell, J.A. (2012). The Slasher Movie Book . Chicago, Ill.: Chicago Review Press. ISBNÃ, 1556520107
Source of the article : Wikipedia
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