Harry Potter and the Deathly Hallows - Part 1 is a 2010 movie soundtrack of the same name, written and done by French film composer Alexandre Desplat. The soundtrack was nominated for IFMCA 2010 Awards for the Best Original Score for Fantasy Movies and the 2010 Satellite Award for the Best Original Score.
Video Harry Potter and the Deathly Hallows - Part 1 (soundtrack)
Development
The score for Deathly Hallows - Part 1 was compiled by Golden Globe award winners and Academy Award-winning film composer Alexandre Desplat. Desplat follows John Williams, Patrick Doyle, and Nicholas Hooper in composing music for the Harry Potter series. Williams composed the first three films, Doyle scored the fourth film, while Hooper worked on the soundtrack for the fifth and sixth films. Desplat states that he will write until September 2010, with a soundtrack released on November 16, 2010, three days before the movie's release date. A 3-disc Package Set Collector's Limited Edition was also released on December 21, 2010.
In an interview, Desplat mentioned the inclusion of John Williams's Hedwig's Theme on the soundtrack. He said, "We will start this summer: it will take me all summer I will not have many vacations, but again, that is for a good reason - for the soundtrack I will take every opportunity to use the great theme that is compiled by John Williams I would say it is not used enough in the latest movies, so if I have a chance, and if the tape allows me, I will arrange it... I will make it with great honor and pleasure. "Director David Yates also talks about the use of "Themes of Hedwig" in the film, stating that the theme will be present during "anything that feels like we're nostalgic or in a way reflecting the past." He goes on to say that the theme's tone has been changed to fit the movie's ambience, since he "wants it to feel like it's all a little depressed." We want to disrupt it a little. "Despiles commented on the other major themes he developed for the soundtrack, saying, Harry, Ron, and Hermione are now on the road pursued by Voldemort's dark powers, they are never twice in the same place, moving, I switch between themes based on situation or location (Ministry of Magic, Battle of the Sky, Burrows), theme by character: Dobby, Dumbledore, Voldemort, Bathilda Bagshot, Lovegood, or some other character; the theme of the Bond, which conveys their innocent loss, as well as a sense of danger, and will lead them through their exodus, and themes for magical devices (Detonator, Pendant , Deathly Hallows). "
The recording session began on August 14, 2010. Conrad Pope, one of the first orchestras in the first three films and the orchestra at Deathly Hallows, commented that Desplat music is "exciting and full of vigor. ". He adds on his Facebook profile that "Harry flies, fights and brings out, all accompanied by a distinctive and clearly non-generic Despub voice, those who love melody, harmony and emotion in their movie scores should be happy." Reminds one of the old ones. " day. "
Not included in the soundtrack is "O Children" by Nick Cave and Bad Bad. David Yates accompanied him to a scene developed by screenwriter Steve Kloves, in which Harry and Hermione share a dance in their tent after Ron leaves, to capture their tension, friendship, and love. Kloves wrote the scene during the filming of Harry Potter and the Half-Blood Prince, describing it as "weird", and was surprised that the idea was well received by J.K. Rowling, Producer David Heyman and Yates. Rowling feels while writing the novel's tent scene, "in some ways Hermione and Harry are more suited" but do not share this fact with Kloves, concluding they feel the same at the same point in the story. The Musical Superintendent, Matt Biffa, initially read the scene as excited, "like two teenagers went for it" but after discussing the nuances with Yates decided that it should be uplifting without being too romantic. Since the scene was not in the book, it was decided that it could not be a song that had been used in a previous movie or television or a song that would pull the audience out of the wizarding world. Aiming for old songs, souls along the lines of James Carr and Otis Redding, and more modern materials like Oasis and Radiohead, determined these musicians offer too many Muggle worlds. Yates listened to 300 songs from Biffa, "because I need a heartbreaking piece of music that is girly but surprisingly uplifting, and I find Nick's cut, and I love it very much.This has the capacity to lift you and break your hearts at the same time. my greatest is playing for Dan [Radcliffe] and Emma [Watson] because I think, 'God, will they understand?' So it's important for me that they understand the music too, that they feel it So I play it for them, and it's the most nervous moment I make, and I play it for them, and I'm like, 'Oh, God, would they like it "and they love it." Rowling praised the scene that stated, "I love the scene because it articulates something I have not said but I feel.I love it so much... you really feel what's in the scene."
Maps Harry Potter and the Deathly Hallows - Part 1 (soundtrack)
Reception
The reception for the soundtrack of Part 1 is overall positive. The first review of the soundtrack was released on October 31, 2010 by Jonathan Broxton, who gave a score of 5/5, saying that "This score is one of Desplat's greatest achievements and highlights everything I love about it, the orchestral textures, the intricate use of unexpected instruments in an unexpected setting, the clarity of the orchestration crystals. "Jorn Tillnes of Soundtrackgeek.com gave the score 9/10 and commented," When challenged, Desplat pulled out some great things as he proved with New Moon last year. which fits perfectly with the darker Harry Potter. "Caleb Leland of Shadowlocked.com gives the stars a 4/5 soundtrack, stating that" Although this is a good soundtrack, something makes it great, but it makes me more excited about seeing a new movie. "
Steve Ewing from Filmmusicsite.com rated the 7/10 soundtrack, commenting that "Desplat really thought of something when he wrote this soundtrack, and maybe if he had given him a little thought, he would have realized how close he was to writing something out of the ordinary. In contrast, the soundtrack music gems come and go and never fully develop, leaving listeners disappointed with how close the soundtrack to music is. "Christian Clemmensen of Filmtracks reviews the score on November 5, 2010 and praises the orchestration for the movie but criticizes the rare use of > Hedwig Themes and bad continuity in scores when compared to previous entries in series. Charlotte Gardner of the BBC commented that "the orchestration of the Pope is a work of genius, which enhances the musical drama with various instrumental colors" and the score "equally affective - threatening, entertaining, violent, strong and fragile all in one.This is striking because of its subtle beauty, which still exists even when painting scenes are full of evil or full of pain. "He went on to say that" so far, very good, but there is a single question mark about whether this recording will really hit the spot for Potter fans This is a job that is more intent on painting the atmosphere than in giving the grip of a mosivic audience to be achieved. "
Eric Goldman of IGN writes, "Desplat scores begin very strongly with 'Obliviate', which immediately sets the scene for a sad sad story - which is entirely appropriate, given the content of The Deathly Hallows Part 1... On the one hand, it's a little sad for did not hear the overwhelming Potter theme, but on the other hand, it's, after all, a grim story.The melancholy theme of Desplat, though not always the same as Williams, is right for this movie and story. " James Christopher Monger of Allmusic gave a positive comment, stating, "It's been a decade since John Williams set the tone for [Harry Potter] movies, and the original theme is in the shadow of Harry Potter & Deathly Hallows, Pt.1 The Desplat Score is very subtle and large, providing a quiet emotional depth ('Harry & Ginny'), evil play ('Death Eaters'), and 'Oblivation' action with (and the director, in this case) rarely finds cohesion, and the first installment of Deathly Hallows does nothing in the way to tarnish the achievement. "The soundtrack debuted at number 74 on the Billboard 200 chart in the United States and also charted at number four on the Top Soundtracks Chart.
Track list
List of songs for the Harry Potter and Deathly Hallows - Part 1 soundtrack was released in Amazon UK. All tracks are produced, performed and composed by Desplat.
Personnel
Personnel is adapted from album liner notes.
Diagram
References
External links
- Official website for Harry Potter and the Deathly Hallows Soundtrack
Source of the article : Wikipedia
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